Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Wednesday, August 29, 2012

Variety is the Spice of Life.... Scene and Structure #10

Halfway through the first week of school! It's going really smoothly so far and I'm looking forward to a great year with the kids. In case you didn't know, I moonlight as an elementary music teacher during the day, LOL. Teacher by day, writer by night! I'm trying to focus on patriotic songs this year. It amazed me how many kiddos can't sing the Star Spangled Banner or don't even know what it is...Yikes! So that's what this first month will drill into those precious impressionable minds.

Last week I talked about pacing your scenes and sequels. What's funny is that at my DARA RWA meeting last saturday, the speaker talked about Scene/Sequel/Pacing. LOL, maybe something was trying to give a hint.

This week Jack Bickham goes a little deeper into Scene/Sequel and discusses the variations you can take so that your writing doesn't always plod along the familiar beaten overused path.....

"Classic structure of a scene is goal ... conflict ... disaster in that order, and classic structure of a sequel is emotion ... thought ... decision ... action, also in that order."
 He makes a point of assuring his readers that a perfectly good novel can progress in classic form of scene #1 - sequel #1 - scene #2 - sequel #2 and so on and so forth. Once you have your basic plot points and everything laid out ... here are five variations in scene structure.

1) You can start your presentation somewhere other than at the classic and logical entering point, which is statement of goal
2) You can end somewhere short of a fully pronounced disaster.
3) You can interrupt the scene virtually anywhere by having other action intervene.
4) You can interrupt the conflict component by having the viewpoint character's internalization in response to a stimulus develop into "a sequel in the middle of things".
5) You can present the goal-conflict-disaster segments out of the natural order

Here are his five variations in sequel structure:
1) You can skip one or more parts, or portray a segment in only a word or two.
2) You can amplify any given portion out of all proportion to the others
3)You can mix up the normal presentation order of the component segments - i.e. emotion, thought, decision, action - if there is reason to do so.
4) You can interrupt a sequel with the unexpected onset of a new scene.
5) You can insert one or more remembered scenes within the though component (like a flashback).

Pretty much I'm learning that if I plan out my scenes and sequels I can rotate them around to do anything I want with them. But if I chose to write in the standard scene/sequel tradition that's ok too. It's just a little more predictable. He also mentioned that for newer writers it was often helpful not to change up too much structure and let yourself get really good at your craft. So the lesson this week is - There are fathomless ways to "mix" up your scenes and sequels, BUT! don't do it unless it feel natural to the story and you feel comfortable shaking up the structure.

So there's my two cents in a nutshell. More coming next week. Happy Hump Day!

Happy Reading
Happy Writing
Krystal Shannan

Wednesday, August 15, 2012

Scene & Structure #8 - Are your scenes in order?

So today's chapter was really helpful for me. It was all about linking your scenes, which can be a problem. I have sat at my laptop staring, wondering how I was going to get my character to move from point A to point B. I love setting up the scene for my characters and deciding just how much information is going to be revealed or any at all. (Yes, I know....mean, right? What can I say....I told you last week torture was good for them. LOL. Anyway, so today lets hook these scenes together! Transitions and Sequels! If I could really get good at this I would be able to write a book every couple of months.

Ok, so we've started our transition and are trying to create a sequel or segway to the new scene. For the character, he/she is facing a new dilemma. I like how Jack puts it "an unexpected but logical disaster". Isn't that fabulous. Unexpected! But logical. We must always remember to move the story forward. He makes a good point later that in 'real' life some people never recover from a disaster, they mope and cry and moan about for the rest of their life. NOT SO, in fiction. These characters can NEVER be stagnant. Remember fiction is about entertaining. What happens when you start watching a movie or a TV show and it's boring or so slow you start not even caring if you finish it. *raising hand* Yep, I've so been there. I don't know about you, but I have read a few books where after a chapter I was not invested and I put the book down. Usually I never returned to it. I do not want anyone to ever do that with my book. I want them to stay up all night reading it, because they can't wait to find out what happens next.

So most sequels start out with some type of emotion on the part of the hero/heroine. We need to be sure we are delving into the characters thoughts and feelings (POV) so that we can connect the reader to why the scene they just read is so important. Why write it, if it's not important? Every scene must count emotionally for the character and the reader. The transition/sequel give an opportunity for reflection.

There are three ways to do this.
1) Description
When you see this method, it should seem as if time stood still while the reader described the thoughts going on in the character's head.
2) Example
Examples are used when writers show their characters emotion through movement or action. A fist through a wall, throwing something, slapping their forehead, walking aimlessly. A lot of times using this method will help your reader engage and try to make their own conclusions about the disaster and what it means. In other words, it gets the reader's juices flowing. Just be sure you don't do this every single time. You don't want the reader to always be completely in the dark.....or maybe you do? Who am I to say.
3) Discussion
This is exactly what it sounds like. Readers learn through dialogue with multiple characters what your hero/heroine is thinking or feeling. They express it through what is said.

Alright, we discussed what to do with emotion. Moving on... Now, thought is next. Our hero/heroine is moving on the next stage of the transition/sequel. We know how they feel. What are they going to plan? First, they must review(a) what just happened to them. It can be brief or it can be lengthy, remember you are reminding the reader of what is important. Next, they analyze(b) or figure out what just happened and why. Then, the planning(c) begins. How is the hero/heroine going to respond to this new dilemma or disaster? Remember, always move forward.

Once our sturdy hero/heroine is done thinking, they must make a choice - a decision. This is the next progression. When a choice is made by the character on how to move forward, it should align with the story goal. Even if the path taken to get there has been altered, it should always align with the ultimate goal of the story and it should be clear to the reader. Why you say?
(1) First, it's important for the reader to realize that the character has picked a new course of action and is ready to move into it. (2) Second, stipulation of the new goal begins to prepare the reader for the next confrontation or scene; it heightens anticipation and suspense. (3) Third, we have already seen that understanding of the scene goal is vital to the readers's understanding of the scene and the things that are at stake.
Action! Lastly, the character much take his/her thoughts and decisions and take action. They must buy a plane ticket, get in their car, call somebody, etc... something has to happen....and VOILA! You are in your next scene. Congratulations you have transitioned to the next exciting, jaw dropping, scene in your story!!!
Happy Writing
Happy Reading
Krystal Shannan

Friday, August 10, 2012

Fabulous Author Friday ~ Heather Long


Please help me welcome Heather Long to the blog today! Can't wait to hear all about her new release.

Without further ado......

Tell us a little about yourself.

I’m a mother, a pet owner and a student of life. I studied journalism, psychology and business in school and I have degrees in two out of three of those subjects. I write because I can’t not write and every book is a passionate love affair for me and every time I type “the end” it’s a bittersweet moment.

Did you always want to be an author?

I’ve been writing for as long as I can remember. I’ve always loved books and I was always telling my own version of stories. Initially I wanted to write comic books, DC Comics specifically and I even pitched to an editor in New York and developed a potential working relationship. Alas, that came to naught, so I continued on, but I never stopped writing. When my daughter was born, I went from having a lot of free time to almost none and that was the last kickstart I needed to finish a full manuscript. 

Five years of practicing, writing, re-writing my fiction while working as a freelance writer continued to grow my craft. From 2006 to 2008, it was all about the rejection letter. Then in late 2008, I received my first acceptance and now here I am four years and 18 books later with nearly ten due out total this year. It’s been a wild ride, but I wouldn’t trade any of it. The challenges actually made me a better writer.

WOW! Kuddos!

What is your favorite part of being a writer/author?

Writing is my favorite part about being a writer and I mean that literally. I’ve always loved to read, but writing lets me immerse myself deep in this world that is unfolding while you are writing is just amazing to me.

Tell us a little about your book.

Jacob’s Trial is the second book in the series that began with Cassandra’s Dilemma.  Jacob Book, one of the two men Cassandra is in love with is also a Wizard. In this world, Wizards are the product of liaisons between Fae males and human females. Cassandra’s choice to help the Fae out themselves to the world has changed Jacob’s life. To keep the woman he loves safe, he has to build a true alliance with the Elf Helcyon, and stand against his own kind as they come after Cassie. As much as I enjoyed writing Cassandra’s Dilemma, it was exciting to see this story come to fruition as these three delved deeper into what it their commitment to a triad means.

Blurb:

[Ménage Amour: Erotic Fantasy Ménage a Trois Romance, M/F/M, elves, light bondage, HEA]
New alliances are threatened…
Wizard Jacob, Fae Helcyon, and their paramour Cassandra have set up a household together. Jacob and Helcyon have accepted the other in Cassie's life, but they must work to realize that they need each other too in order to become a true trio.
Dark pacts are revealed…
The Fae are trending worldwide, but the arrival of many dangerous beings, old foes, and new friends bring about charges of treason for Jacob and a new danger for Cassie. Intrigue closes in on all sides as factions jockey for power on the divided Wizard Council.
One legacy may unite them…
Helcyon and Jacob are determined to keep the woman they love safe, but danger lurks at every turn and the old ways threaten their future.
A Siren Erotic Romance

STORY EXCERPT

Helcyon’s sword flashed through the air, slicing toward Jacob’s throat only to be caught between his hands. Jacob was both a Homeland Security Agent and Wizard. A vibrating hum ripped through the room. Cassie stared at them both with wide eyes and an open mouth.
“Are you out of your mind?” They were currently occupying the mansion’s solarium. Morning sunshine poured in the broad windows, warming every surface.
“No,” Jacob said slowly, giving a push with his hands to send the blade back to the Elf. “You need to learn to defend yourself.”
Cassie pointed a long painted nail first at Jacob and then at Helcyon. “No.”
“Cassandra.” Helcyon’s voice carried the patience of the ages, his stance relaxed. “The Wizard is correct. Self-defense is vital to your survival.”
“And I’m still not learning how to use a sword.” She wrinkled her nose at both of them, nibbled on a cruller, and pointedly returned her attention to the digital tablet in her lap. In the week since their announcement went live on every major news network, the shit had literally hit the fan about the Fae. Appointment calls poured in from late-night television, daytime television, newspapers, and Congress. She’d expected them all, even the calls from congressional leaders. She simply hadn’t imagined they’d come all at once.
“Cassie.” Jacob stalked toward her, and she barely managed to wrap her fingers around the tablet before he tried to tug it away. “This is important.”
“Yes.” She yanked the tablet back to her chest, wrapping her arms securely around it. “It is important. I don’t have an assistant to field these calls. I need to review every single one.”
Her heart spasmed on the word “assistant.” Billy had been dead for two weeks.
Two.
It seemed impossible that in less than two weeks she’d gone from footloose media consultant to coveted Fae-human liaison. More impossible that she’d gone from overworked professional woman to up to her eyeballs with two of the most gorgeous and loving men she’d ever met. Well, when they weren’t arguing. She glared up at Jacob, meeting his hot, demanding stare with steel.
Typically she wore contacts to cover up her previously green, now supernaturally colored eyes. A byproduct of a blinding spell, her men wanted the hue disguised whenever she was in public. They cited safety, security, and simplicity. It wasn’t a point she felt the need to argue. At home, she skipped the contacts, so she knew he was staring into her gold eyes the same way she watched the gold flecks in his liquid brown eyes warm to flinty points. Behind him, Helcyon sighed.
The sound dragged her attention to the Elf. He and Jacob were so alike and yet so wildly different. Helcyon was the dark to Jacob’s light in looks. Silky, midnight-black hair poured down his back, and warm, mysterious forest-green eyes softened whenever his gaze touched her face.
Her heart squeezed. They were amazing. Both of them.
“Dammit, Cassie.” Jacob’s fist came down on the arm of the chair, and she pursed her lips, bracing for the argument that always erupted when she fought back against the total obedience he demanded. She understood his need to protect her, a need that just seemed to escalate after they captured Michael. He was still pissed that the Glashtyn, the Fae vehicle he traveled in, chose to aid her and demonstrated remarkable affection toward her. Affection she used to run away from the warring pair just a week earlier.
Blowing out a breath, she tilted her head. “Jacob, be reasonable. I need to do my job.”
“This is me being reasonable. I haven’t turned that annoying thing to ash.” He pointed at her tablet. “And your job includes you staying alive, which means you need to increase your knowledge of self-defense.”
“For all those times you two plan on leaving me alone?” She pretended to ignore Helcyon’s faint smile. The Elf was so much more patient than Jacob, but in the hours before the press conference, they’d informed her that they were willing to stay with her…both of them. A thought that sent heat skittering through her blood and thrummed pleasure against every pulse point.
No one fell in love in seven days, and she’d done it twice. A week later, she knew she loved them, every stubborn, argumentative inch. They both wanted her to choose, but they were willing to share her body, her heart, and her defense.
The defense part was getting on her nerves.


What was your favorite part of the book?

Jacob’s Trial had a lot of great moments for me, I think my favorite is when the guys have to watch Jude teach Cassie how to shield herself. The camaraderie between the two was very visceral and seeing Cassie stand up for herself was a heck of a lot fun. She was a hard heroine in some ways because she wasn’t a kickass heroine who could hold her own in a fight--she was brilliant and talented, but she actually needed protection and they needed her to be able to last those four or five precious seconds it could take for them to get to her.

Rate your story in terms steaminess?

Siren gave it a sextreme rating which is pretty racy, I think I pushed some of my own personal limits with this one, and again with the third book which is due out later this month.

Heather has gifted us with two excerpts and I'm using both! I love excerpts and this second one is SMOK'IN! The second excerpt is rated *adult* and is at the bottom of the post.



When did you start writing and when did you finish your first book?

My very first book was written at the age of 9, and it took me about a week to write. I’ve gotten more complex, but I’m still pretty fast.

Where do you get your inspiration?

I get my inspiration everywhere. It can be a line of dialogue in a television show, a joke shared between friends or just something I see while driving my car. Everything has a meaning to me and everything has a story.

Do you plot and outline or do you just write?  Plotter or Pantser?

I’ve done both and these days I’m somewhere in between. I always have a rough outline in mind when I start, I know the major events that have to happen and then I let the story unfold - sometimes that means deviating from the original plan, but eventually it works out.

Can you tell us a little about the process of getting your first book published?

My very first book published was actually a novella. I’d written it years ago, played with it, tweaked it and submitted it. When I received the offer letter to publish it, I had a mini panic attack.  Funnily enough, that feeling -- hasn’t changed and I’ve gotten the offer letter more than a few times.

What book have you most recently released?

This has been a really busy summer for me. Jacob’s Trial came out in the beginning of June and it was swiftly followed by books four and five in my Always a Marine series and then The Taming of the Thief which is the second book in my Fortunate Buddha series.

Do you have another book in the works?

Always.  I’ve been extremely fortunate this month, I have several releases coming out and I am always hard at work on the next one.

What advice would you give new authors?  What have you learned about the business?

Don’t give up. Ever. Keep writing. All the time. Take classes and learn. But write like you mean it. Write for yourself. For me, writing is a lot like working out, the more you do, the stronger you become.

Boxers or Briefs?  Boxers.

Pizza or hamburger?  Pizza.

Beer, Wine, or mixed drink?  Beer.

If you could spend a week anywhere in the world, where would it be?  Would you write or read there, or do something else?

Mont St. Michel in Normandy, France. I’d like to just experience the area, explore it, take notes and let a story come to life there.

(Character Questions)
What were your first impressions of each other?
Helcyon:  She is a beautiful, enchanting woman. He is a pain in the ass.
Cassandra: Helcyon is fascinating, powerful--compelling. I couldn’t keep my eyes off him. Jacob is stubborn, grumpy and engaging. I couldn’t get my mind off him either.
Jacob:  She’s gorgeous, smart, and far too engaged with the Fae. He’s a pain in the ass.

What’s your favorite characteristic of each other?
Helcyon: She believes in a better way and makes us believe as well.  Jacob’s loyal, steadfast and--trustworthy.
Cassandra:  Helcyon’s lived longer than I can imagine, he’s very forgiving and understanding and patient. Oh my God he’s patient.  Jacob is combustible, a force of nature and so stubborn. He wants his way and he will make you fight to hold onto yourself.
Jacob: Cassandra’s faith in everyone--Fae, human, Wizard--it’s incomparable. She makes me think the world can be a better place.  Helcyon’s--he’s okay for a Fae--fine dammit, he’s better than okay. He’s the only one I trust.

What are your plans for the near future? 
Helcyon: Protect Cassandra.
Jacob: Protect Cassandra.
Cassandra: Take care of them and keep building bridges.

I think I see a theme developing! LOL! Thanks for sharing.

Alright everyone. Heather has a question for you. 

Could you choose between what you’ve always known for an uncertain future if you loved someone?

Be sure to answer the question and leave your email in a comment for a chance to win a copy of CASSANDRA'S DILEMMA and JACOB'S TRIAL.

Also you can visit and follow Heather@


ADULT EXCERPT

Her gaze dipped to the silken ropes in his hands. “What are those for?”
“Control.” He circled the bed, drawing the ties across his palms. “Put your hands up to the headboard.”
Her teeth dragged against her lower lip. He hardened at the action. His cock jerked as he recalled the feeling of her mouth wrapping around him, pulling him deep into her throat, and the greedy way she swallowed every drop of seed. Exhaling slowly, he reasserted his control. Her lip biting was her tell. He always knew that her mind worked through the possibilities when she worried that soft, lush lower lip.
He waited, drinking in the shift of her hips and the roll of her bottom against the bed. Excitement beat in her pulse, flooding her body with the fire he longed to bury himself into, stoking that furnace until it consumed them both. But she needed control, and here, in this bedroom, she would learn how to take that power by submitting to the need for it.
Lips pursing, Cassandra raised her arms and pushed her hands against the slats of his headboard. He allowed another smile, this one warm with approval. Moving swiftly, he wrapped the silken ties around her wrists before threading them through the slats. Firm and secure but not tight enough to be painful. Cassandra watched him wordlessly, the tempest of her desire banked against the curiosity he could sense shimmering the air around her.
But she said nothing, and he paused to slant his mouth across hers, a long, wet kiss that invited her tongue to duel. She murmured a groan against his mouth, and Helcyon dragged his lips away, containing the need to devour her.
She growled, and he slid his hands down her sides to pinch her round bottom, enjoying the buck of her hips. “Lesson number one, if you want something, you have to be able to reach for it.”
Her mouth opened, aggravation warring with desire for a foothold in her expression. She tugged her arms, but they remained bound to the headboard. Feathering his hand over her hip, he traced the fine line curving her abandon, barely brushing across the soft, autumn-kissed curls at the juncture of her thighs.
“If I am supposed to reach for it, why did you tie me up?” The words were husky with emotion.
He stroked his hand down her left thigh, exploring the contour of the muscle flexing beneath his caress. “You think your enemies will be fair with you. That they will give you quarter. But why should they?”
Sweeping his hand up the inside of her thigh, he pressed her legs apart, smiling at the dewy flesh and swollen clit. She pushed up against his hands, trying to lift her hips. Feeling how slick it was with need, he grazed his fingertips lightly across the scorching heat of her pussy, never quite touching the soft flesh.
He chuckled at the wordless snarl of demand, combing the curls of her pussy with his thumb, dipping it down to warm the air above her clit but not quite touching it. “Why should they concede to you anything you want if you can’t take it?”
Steeling himself against the throb of blood pulsing through his cock, he stretched out, slanting his body against hers and indulging himself in a long, slow rub along her naked, quivering flesh. Every muscle in her body clenched and his protested the denial, but he watched her fevered expression. Her lips twitched, opening and closing as though she couldn’t find the words.
Her nipples speared against his chest, their turgid points pebbled to such hardness that the rub of his shirt incited them. He nibbled a path along her upraised bicep, enjoying the spicy musk of her want perfuming the air. Bracing his feet he stroked the length of his cock against her pussy. His pants constricted against his cock and his balls drew up, the pain so close to the edge of bliss that it took every ounce of his control to keep him from sinking home into the sexy little furnace.
The whisper of fabric rasped against her and Cassandra thrashed, but he couldn’t quite reach her clit. The barrier of clothing prevented it, and he lavished his attention across her shoulders, circling her breasts and teasing the desperate nipples flushed dark red with need.
“Lesson number two.” The words clogged in his throat, but he pushed them out, fighting the urge to take one perfectly rosy nipple in his mouth to suckle. He longed to slide down her body and suck that hot little clit into his mouth until she came and he could lick her clean and begin again.
But he focused on the lesson at hand. “You must change the rules if you want to take control back.”
“How?” The wail of sound peaked. He could almost feel her heart slamming against her ribs. He turned his head against her, listening to the wild cadence kickboxing inside her chest.
“Remove the barriers you don’t want to be there…focus…take from me what you want.” Fisting his hands into the comforter, he ground himself against her pussy, his cock desperate to be free. Desire threatened to completely shred his control, but he shackled the lust. Cassandra needed him, and if he could walk through fire for her, he could suffer the brutal pinch of his balls’ impending explosion.
 YUM! Thanks for sharing, Heather, and thank you so much for being my guest today!

Thursday, August 9, 2012

Andrew Katz Spotlight Interview


We are shaking it up a little today! Please help me welcome Andrew Katz to the blog with his novel DESCENDANTS, releasing tomorrow. I love anything that has to do with Arthur and the Knights of the Round Table so I asked especially to have him here today. 

Andrew, tell us a little about yourself.
I’m a twenty year old from Philadelphia, Pennsylvania. I take classes at Temple University and live in house near campus with some friends. “Descendants” is my first full length novel, but I have tons of ideas in a word document and various short stories.

Fabulous!

Did you always want to be an author?
Absolutely not. Writing had always been my least favorite part of school and I couldn’t stand it. Then one night I was sitting around with nothing to do, complaining to a friend. She suggested since I was always reading, that I should try writing something. I thought “What the hell? Why not?” and in the next ten minutes I wrote what turned out to be the first page of my novel. When I took it to my Dad he gave me a skeptical look and asked if I’d actually written it. It all pretty much spiraled on from there.

What is your favorite part of being a writer/author?
I love the intellectual and creative release. It’s a great feeling to take some hair-brained idea or a weird dream and create a story, person, or world from absolutely nothing.

Tell us a little about your book.
It takes place in modern day society, and the world is the very one we live in. The catch is that the Knights of the Round Table still exist behind the scenes and protect society from unknown supernatural threats. The main character is one of those Knights and must go on a journey to stop a brewing war between humanity and the trolls, while battling an ancient evil looking to corrupt and control him. It’s a fast paced, fun novel, full of action and sarcasm, and I had a great time writing it. 


Excerpt:
            I was still standing around lost in thought, brooding, when an explosion happened directly in my left ear. Oddly enough the bomb seemed to say Boo! I turned and glared right into Devin’s stupid smiling face. 
            “How the hell are you so freaking quiet?” I asked him with a scowl.
            It’s a valid question since Dev is seven-foot-two and built like a young Andre the Giant with an additional fifty pounds of slab muscle. He also happened to be my best friend since I was ten years old, and my adopted brother. 
            “It’s a gift I guess. Did you actually do what I heard you did?”
            “That really depends on what you heard now doesn’t it?”
            “Did you truly kill off the rest of the bloody gnomes?”
            “Did Melinda Clark really slap you in the face when we were thirteen?”
            “Are you going to continue to answer all my questions with questions?”
            “That depends, does it annoy you half as much as I hope it does?”
            “You are aware that I could step on you, right?”
            That seemed like a good time for me to knock it off. I looked at him and shrugged. “I’m assuming that if you’ve heard about it, so has the rest of the castle. Yes I did. But my official stance is that they really deserved it.”

I love the snarky sense of humor!


When did you start writing and when did you finish your first book?
I started it in late September of 2011 and finished in mid February of 2012.

Where do you get your inspiration?
From the various books I read and more importantly the people around me. I’ve had friends read some of my work and laugh because they recognize a conversation that we’ve had or mannerisms of themselves or others. I borrow a lot of characteristic of the people close to me and put them into my writing. It’s so much realer that way.

Absolutely. The best nuances come from real life.

Do you plot and outline or do you just write?  Plotter or Pantser?
Honestly, I outline as I write. I go in pretty much blind, but as a story starts to develop I’ll outline vague details of where I want it to go. It doesn’t always turn out the exact way I want it, but that’s another thing I love. A good story can sometimes tell itself.

Can you tell us a little about the process of getting your first book published?
Well, I really sort of lucked into it. I was about half way through writing my novel and a friend told me about Crushing Hearts and Black Butterfly Publishing. I got in contact with SJ Davis through facebook and submitted a short story I had for their anthology “Dark Light”. She liked the short story, which was the same protagonist as “Descendants”, so I submitted that when it was done and here we are.

Congrats! 
What book have you most recently released?
“Descendants” is my first and only feature novel; it will release tomorrow on August 10.

What was your favorite part of the book?
The character interactions. The characters are living creatures with emotions and aspirations, and it was a great experience bringing them to life through one another and their reactions.

Do you have another book in the works?
Yup, I’m working on a sequel to “Descendants” right now. It should be completed sooner than later.

What advice would you give new authors?  What have you learned about the business?
As a new author myself, I would say just don’t sweat it and have fun. Write what you want, because it will be better than trying to force something.

Pizza or hamburger? Hamburger all the way

If you could spend a week anywhere in the world, where would it be?  Would you write or read there, or do something else?
Just a secluded beach somewhere. It wouldn’t really matter as long as it wasn’t too crowded and I could sit in the sun with a book to read and a notepad to write on.

Great interview, Andrew. It was so nice to have you here today and hear about your book. I'm already about half-way through it and am really enjoying the change of pace (since I mostly read romance). The characters are fun and I can't wait to see what happens. 

Please visit Andrew @ 
Websites, Blogs, Twitter, FaceBook, etc.
Facebook: facebook.com/AndrewKatz.Author
E-mail: andrewkatzauthor@gmail.com




Wednesday, August 8, 2012

Scene and Structure #7 - 12 Tips to Writing a Great Scene

I promised I'd share Jack Bickham's 12 tips on planning a scene this week, so here they are.

  1. Make sure that the state scene goal is clearly relevant to the story question. Don't assume it's obvious to the reader. Spell it out.
  2. Show clearly that the viewpoint character considers the oncoming scene as vitally important. Have him/her say so, or think so, or both! Never allow a lead character to enter a scene with a lackadaisical attitude.
  3. Make sure you have provided enough background for the opposition character --or have him state enough motivation at the outset. 
  4. Make sure your opposing character clearly states his opposition early in the scene, and never lets up.
  5. Mentally devise a moving game plan for both the lead character and the antagonist so that even if you don't tell the reader what either is thinking, you know what both are thinking. 
  6. In searching for your scene-ending-disaster, don't always grab the first idea that comes to your mind. Your reader will be guessing along with you, and you don't want him to outguess you. You always want to keep the reader guessing!
  7. Don't be afraid to have your antagonist try to get the lead character "off the point" of argument as one of his opposing tactics. Just make sure the lead character always finds his way back.
  8. Don't hesitate to use dialogue at cross-purpose once in a while as a scene-building device. Such dialogue can be defined as story conversation in which the conflict is not overt, but where the antagonist either doesn't understand what's really at issue, or is purposely non-responsive. However! Avoid characters lecturing each other.
  9. Remember, in building conflict in the scene and in devising your disaster, that people are not always entirely rational, especially in stressful situations. Your story people --even in the toughest scenes --are not wholly logical robots, LOL.
  10. Plan and write the scene for all you can get out of it. Revise if its impact suddenly seems to great for what your plot calls for next, and cut it only if you reread it later and sense that it may get dull in spots.
  11. Always be alert for ways to raise the stakes in a scene, as long as you don't turn it into Armageddon!
  12. Never let your characters relax or feel comfortable when disaster is right around the corner.

Next week we will begin considering how to CONNECT scenes and how better to motivate them. Hope you enjoyed this week. See you next Wednesday.

Happy Writing
Happy Reading
Krystal Shannan

Wednesday, August 1, 2012

Scene and Structure #6 - Torture those Characters! It's OK, it's good for them!

So I'm a little late today. Darling daughter and I slept in until 8am. It was fabulous. Then we had some eggs and delicious hearty bacon. Darling daughter also ate a big bowl of yogurt. What can I say, we are big on breakfast. It is Texas! LOL. House cleaning and shopping is on the list today....

Trying to get geared up for school starting back in a few weeks. Eeeeeeek!!! It's sneaking up on me.

But, let's get on with Jack Bickham's SCENE AND STRUCTURE tips for today!

Today we are talking about Planning and Revising Scenes for Maximum Effect.

1) The goal of each scene must clearly relate to the story question in some way.
2) The conflict must be about the goal.
3) The conflict must be with another person or persons, no internally, within oneself.
4) Once a viewpoint has been established and that viewpoint character's problem and goal have been stated, it's wise to remain with that same, single viewpoint through the disaster.
5) Disaster works (moves the story forward) by seeming to move the central figure further back from his goal, leaving him in worse trouble than he was before the scene started.
6) Readers will put up with a lot if your scenes will only keep making things worse!
7) You can seldom, if ever plan, write, or revise a scene in isolation of your other plans for your story, because the end of each scene dictates a lot about what can happen later.

Let's move forward and chat a little about (5) Disaster works (moves the story forward) by seeming to move the central figure further back from his goal, leaving him in worse trouble than he was before the scene started.

"Well-planned scenes end with disaster that tighten the noose around the lead character's neck; they make things worse, not better; they eliminate hoped-for avenues of progress; they increase the lead character's worry, sense of possible failure, and desperation --so that in all these ways the main character in a novel of 400 pages will be in far worse shape by page 200 than he seemed to be at the outset."

Ok, so I'm getting the idea that torturing our heroes and heroines is good! Love it!

Jack goes on to say later that 'Of course you can console yourself (but don't tell the readers) with the secret knowledge that all of this seeming backward movement is only a dramatic illusion'.

Haha! I hope this hit on a few areas of interest for you. I know it did for me and next week (yes, I peeked ahead) we get Jack's 12 tips on writing and revising! Can't wait!

Happy Writing,
Happy Reading,
Krystal Shannan

Wednesday, July 25, 2012

Scene and Structure #5 - Pitfalls!

I'm on vacation this week with my daughter in sunny Florida, but I made sure to have a little something to share with you from our good friend Jack Bickham and his book SCENE & STRUCTURE.


Let's talk about our friends from last week, Jack and Jill. Now their goal was climbing a hill/mountain and we are trying to come up with conflicts for them. Be sure the conflicts you choose for your characters are not trivial. (Believe me your readers will care!) We don't want to read about how Jack and Jill don't have the proper equipment to scale their mountain. If the story is about them climbing, they sure as hell better have the proper climbing equipment. 


Now.... If the story is about them surviving in the Alaskan Tundra and they were in a plane crash and they have no equipment and they have to climb a mountain to escape a bear.... that's one thing.... but then the story goal is no longer them climbing a mountain it's about them surviving in the wilderness and readers will now expect them not to have the equipment they need.  


See how that changed everything.


Another point he makes in this chapter - don't sidetrack your characters (Pitfall #1). If Jack and Jill need money to finance their trip, don't create a thought process that says if the bank doesn't give us financing we have to rob a bank to get the money to climb the mountain.  OMG! Jack and Jill's story is about climbing a mountain, not becoming bank robbers! Be sure you don't back your characters into conflicts that distract from your story goal and possibly alter it in the process.


(Pitfall #2) - The Strongman
Don't let the characters run away with the story. Yikes! I know all my pantser friends out their are gasping. For you guys. Let the story run, but then be willing to go back and look at the scene and realize that you might not want all of it. For example, if Jack and Jill go to the bank to get financing for their climb and start a screaming match with the the bank manager... what's going to happen. What might you introduce into your story at that point that you don't want to explain to your readers? Jack says "what if the characters say they can get the money somewhere else and the bank manager sees it as a threat and calls in the loan on Jack's business... or Jack says he can just go get the money from his grandfather..." Well the reader is going to want to know why Jack didn't just go to the grandfather first. Is the grandfather part of the story, or did Jack just grab you by the ear and drag you along with him for no good reason.


I am such a pantser too and I have seen this happen in my own work from time to time. I take a step back and go 'what the hell?'. As a pantser you have to be willing to take it out and go at it again. Remind your characters to "stay on task" LOL. When this happens I usually highlight the scene, cut it and paste it at the bottom of my doc so that if I need it I can go back and and get it, but if I don't, I don't worry about it.


(Pitfall #3) - The Weakling
Don't duck your conflicts! "After the showdown with Jacob Simms, David drove directly home, feeling....." OMG! The author skipped the best part. He/she left out the showdown

Don't skip over conflict because you don't think you can write it well enough. "You will find that boldly going ahead into the 'impossibly difficult' conflict portion will stretch your abilities as a writer - and make you better than you thought you could ever be."


Happy Writing, Happy Reading
Krystal Shannan

Be sure to follow the blog if you haven't already. The July drawing  for an Amazon giftcard is next week! You have to be a follower to be entered :-)

Sunday, July 22, 2012

Six Sentence Sunday #12


Darren Hamlin - Lion Shifter (Isn't he yummy?)
Welcome back for another six sentences. I think I'm going to give you something different. This week I'm letting you peek at a WIP called PRIDE RULES. It's a paranormal shifter romance. Here's a glimpse into the mind of the hero of the story, Darren Hamlin. He's following the heroine's scent through town and it has led him into a bookstore.

           Romance novels? Really? What self-respecting lioness would ever read a romance novel? Females of the species were over-the-top feminists and didn’t want men around except when they needed to breed. His own mother had told him ‘goodbye’ this year and ‘good luck’.  Fuck good luck!


Friday, July 13, 2012

Fabulous Author Friday ~ Sheri Fredricks

Please help me welcome Sheri Fredricks to the blog today! I am so excited to have her here.

Without further ado..........

Sheri please tell us a little about yourself.



I’d like to give a huge thank you to Krystal for having me on her blog today!

You are very welcome!

I was born on September 5, which makes me a Virgo, I fit the attributes of that Zodiac sign to a tee. Before I became a writer, I worked in an engineering contractor's office. It was great: 65 men, 3 women, and as close to heaven as a single girl could get. Now I write full-time, work in my husband's home office full-time, and cater to the kids, livestock, and ranch around the clock. 

Sounds very busy.


So beautiful Sheri!

Did I mention I live on the scenic central coast of California, where the weather is always near perfect?

Did you always want to be an author?

No. In second grade, the teacher had us draw a picture of what we wanted to be when we grew up. I seated my hugely grinning self on a golden throne and drew sacks of money all around me.

The caption beneath read: I want to be RICH!

That's fantastic! LOL

What is your favorite part of being a writer/author?

Here’s two answers to your question.

Personally:  I’ve always been a geek— never athletic enough, uncoordinated, and live with freaky ideas in my head. My husband is the complete opposite, achieving top shelf results in whatever he sets his mind to. When I wrote my first story, it blew him away. That was a glorious moment for me!

Professionally:  It’s a tough tie between creating stories that have never been told, and all the GREAT people I’ve met along the way.

I completely agree! The writing community is unlike any other. It really is a lot of fun and filled with awesome people.

Tell us a little about your book.

Remedy Maker is about Rhycious, an ex-military centaur medic whose battle scars are hidden beneath the surface. Moments of high stress trigger hallucinating flashbacks, a condition he continually fights to overcome. When he meets Patience, a beautiful wood nymph and the race of the late enemy of his people, he learns about unconditional love…and the healing power of a single touch.

Together they must battle human hunters who wish to enslave the mythological beings, rebels taking over the centaur kingdom, and the affection they have for each other in a mythic world filled with prejudice.


When did you start writing and when did you finish your first book?

It was November 2008. A fire was burning in our living room while my husband and our boys were watching The Cowboys, starring John Wayne. I was probably whining about something to do FOR ME that I would be GOOD AT and RECOGNIZED FOR.

My husband suggested I write a story instead of reading them. It was my “ah-ha” moment.

I penned two other books before I started Remedy Maker. It took just over a year to complete, from outline to submission.

Where do you get your inspiration?

From a bottle of gin and a liter of tonic. 

ROFL! Personally, I like tequila and margarita mix.

Do you plot and outline, or do you just write?  Plotter or Pantser?

I plot. As a list-maker, I plot out my day. My kids’ day. My husband’s To-Do list.

I’m a Plot-a-holic!

With Remedy Maker, I wrote an outline, which was a narrative form of the book. It ended at 13,400 words and 33 pages long. Yeah, I plot.

Holy smoke!!!

Can you tell us a little about the process of getting your first book published?

When I was ready to query, I hit all my favorite agents first. When all of them rejected me (lol), I submitted to all my favorite ePublishers. A week would pass without a word. I sent more submissions out. A second week went by.

By the third week, I had my first contract offer. Then another. And yet another!! In total, I had 5 contract offers in just over a week. At that point, it was a matter of feeling them out, reading the fine print, and making a decision.


That's so great! It must have been a good feeling, I know when I got my contract on my novella with Ruby Lioness I was ecstatic! 

What book have you most recently released?

Remedy Maker was released by Ruby Lioness Press on July 27 in both print and eBook formats.  Portals of Oz was released the month prior, on June 29, in an anthology named Love Down Under.

What was your favorite part of the book?

My favorite part is also one of the darker scenes. Where the hero, Rhycious, returns home to find the heroine, Patience, missing from his home. He suspects the worst and suffers an all-out PTSD breakdown. It was an extremely hard scene to write, but the most rewarding.

Rate your story in terms steaminess?

Above sensual, but below erotic.

STEAMYMainstream audience. Heavy sexual tension; graphic details; may contain coarse language; sex scenes contain some adult language. Still suitable for the general audience.


Do you have another book in the works?

Absolutely! I working on the next novel in the series, tentatively titled Trolly Yours. The outline is complete and I'm digging in with all ten fingers to finish the book. The story involves a side character with a huge ego named Aleksander, introduced in Remedy Maker. He meets the only mythic female in the Boronda Forest who isn't fazed by his charms and good looks…and the sparks fly!

There is also a time-travel western romance I dusted off to finish writing. Her Future Past is novel length and is sure to be Yee-Haw good! Trey MacPherson, a marshal from the 1880’s, is tracking a murderer and finds himself sucked through a wormhole with his posse. He meets Holly Laurens, owner of the ranch they appear at, and realizes the murderer has come forward in time as well.

Sounds like fun!

What advice would you give new authors? 

Join a critique group and sign up for classes. Savvy Authors has many low cost workshops, as well as FREE classes. If you’re serious about writing, and your goal is to seek publication, then NEVER GIVE UP!

Good advice!

OMG! I LOVE THIS ONE SHERI!
Boxers or Briefs?

Can I choose commando? 
Of course, you wouldn't be the first! LOL 

Pizza or hamburger?

Pizza— It’s the most perfect food in the world. You’ll notice how a pizza holds all five food groups and keeps our meals balanced.
  
Beer, Wine, or mixed drink?

Hi there. Sapphire and tonic girl here. Add a twist of lime and throw it in a bucket. (that’s a large high-ball glass for you newbies)

I have those in my cabinet, LOL, my hubby drink whiskey out of them.

If you could spend a week anywhere in the world, where would it be?  Would you write or read there, or do something else?

If there's one destination to blow my savings on in the name of love, this tiny, pricey South Pacific island is it. Novelist James A. Michener described Bora Bora as, "the most beautiful island in the world" and if I ever reach this romantic getaway's far-flung shores, I doubt I’d disagree.

To answer the second half of your question, I would hope my husband and kids are there with me. I’d soak in the experience and BE THERE in the moment.



If you're looking for a book that will take you away to a mythic world that might exist…
If you love hot guys with insatiable appetites who have a dash of vulnerability…
If you're looking for a sensual read with the power to make you gasp…

This would be the book for you.



Man by day, Centaur by night, Rhycious is a remedy maker who needs his own healing.

He's the royal physician, famous for his cures. War and posttraumatic stress disorder has broken his spirit, preventing him from finding true happiness. Then a direct order from the queen to investigate an uprising forces him out of his secluded cabin at the edge of the forest.

Patience is an optimistic, good-natured Wood Nymph who works as a mediator to ensure harmony within the Nymph sector.

Environmental pollution in the aquifer stream that feeds the taproot tree of her heart is slowly killing her. Resigned to the fact she will not live long, she sets out to discover the mysterious disappearance of her sister. Experience has taught her to deny herself the love of a male, but the gruff Centaur is different. He doesn't push his expectations on her, only his healing nature.

When Rhycious loses his grip on reality, he believes his inability to control his disorder will drive Patience away. Nevertheless, desire flares, and Patience draws him close. Kidnapping and betrayal turn their mythic joint venture into a deadly bout.

Will their love endure when survival hinges on trusting each other?



Excerpt

“You ever see her before?”

“No, I haven’t.” Rhy ran his hands down both bare legs and a slender exposed arm. He checked for broken bones, noting her supple skin and a clean woodsy scent.

Her blouse had an unusual design, made of homespun fibers. It had a diagonal cut neckline with tiny puff sleeves, pink and soft. Created from the same material, a short skirt flared, and was embroidered with spring-green leaves.

A tickle teased his neck again, but not from annoyance this time. He repeated the examination of her other arm. Tension curled tighter in his gut, suspicion spread like spilled wine.

Tilting her head with care, he pushed her dark brown hair from her smooth décolletage, sucked in a short breath, and froze.

“What is it? Snake bite?” Samuel raised the brass lantern higher and leaned over for a better view.

Rhy tapped his thumb against her neck. Designs a few shades darker than her natural color marred the creamy complexion. The millennia old skin formation carved its way into his painful memories. It started behind her ear, an inch wide at the hairline, and extended to the other side.

The words choked out of him. There was no use trying to hide his revulsion. “Wood Nymph.”

That was fabulous Sheri! 
Thank you so much for being my guest today! 

Thanks for having me! You have a beautiful blogsite, and I really enjoyed being here!


Readers, be sure to leave your email address in your comment for the chance at a great swag pack from Sheri.

Be sure to visit Sheri@


Website:           www.sherifredricks.com
Blogsite:            www.sherifredricks.blogspot.com (home of the infamous Friday Flames!)
Twitter:             http://twitter.com/Sheri_Fredricks
Google+:            http://gplus.to/Sheri Fredricks